a whole bunch of bones

2nd fridays wallribcage illustration{'bigger is better' 11x14 original illustraion - $175 w/frame}

Phew! August is already more than halfway over, and it seems crazy to me that so much has happened in the first 19 days of this summery month. Renovating and revamping a gallery space in Pilsen, frantically making work for the Chicago Arts District 2nd Fridays Art Walk, hanging the show, frantically making more work for the Pilsen Unisono Festival, designing a mini jilly ink booth, teaching painting classes, planning for the next three months at the gallery, putting together some exciting editorial work for magazines, commercial work for clients, and plugging away at the upcoming designs from the jilly ink wedding stationery line - this has been one crazy month, to say the least.

pelvis illustration{'so tight' 8x10 original illustration - $120 w/frame SOLD}

finger illustration{'long and hard' 8x10 original illustration - $120 w/frame SOLD}

cheekbone illustration{'nice cheeks' 8x10 original illustration - $120 w/frame}

 

The thing is, though, I'm realizing I wouldn't have it any other way. Ok, maybe with a little less pressure, but honestly, the deadlines, the excitement, the collaboration, planning, productive daydreaming, painting - living fully in everything I'm passionate about is so incredibly exhilarating. I'm so pleased to share with you the work that made it into the gallery for the month of August.

 

rockin curves{'rockin' curves' 11x14 original illustration - $175 w/frame}

 

 

And! Look for some pretty/strange/pretty strange skull prints to be popping up in the jilly ink Etsy shop this week as well!

 

unisono fest table{skulls & script 11x14 prints - $15 each - coming soon to the jilly ink shop}

 

 

(* if you're interested in purchasing any of the original art work from the 2nd Fridays Art Show, please feel free to email me at jilly.ink@gmail.com or call Both Sides Gallery at 419-543-2248)

nine months and a new show

bigger is better insta nine months ago, i was invited to show work at the gorgeous both sides gallery space in pilsen, chicago. it was a magical experience, full of meeting new people (one of which just so happens to be pouring me a cup of coffee right now), putting my art work out there, gathering feedback, and becoming exposed to one of the most vibrant art communities in this fair city.

tonight, nine months (to the day, and date - how about that?) later, i'll be showing another series. you may remember when i drew a few bones back in the fall.. well, i've decided to expand on that idea and move a little deeper..ehem.. into the body, and context. the theme of this month's show is 'inner beauty', so my take on that was to use suggestive phrases typically geared towards certain parts of the female and male bodies, and juxtapose them alongside illustrations of bones about which they'd be construed as positive attributes. i'll have much more photos to post next week about the opening tonight (i might have a few pieces that need finishing this afternoon... ever the procrastinating artist), but here's a sneak preview of two of the pieces i'll be framing and hanging on the walls.

rockin curves insta

if you happen to find yourself in chicago tonight, stop by both sides gallery from 6-10pm, on the corner of 19th and halsted. or stop by anytime this month to take a gander at the show!

canopy

after one and a half weeks of frantic designing, printing, cutting while kneeled and hunched over on the floor (oh my back!), i finally, with the help of my dear roommate) put up my final project for my installation class this semester.  and it just so happened that we installed on the one, repeat: one, beautiful, sunny day that chicago's seen in the past month really.  it was truly a blessing, and it made the papercut installation sing with clarity, brilliance and full out shine.

i am now completely obsessed with cut paper projects, and will be experimenting with other materials as well, maybe forming language out of wire, or different forms of pellon, or really, whatever i can get my hands on.  thank you so much to everyone who's helped support me mentally and emotionally in this project - it really, the whole thing, has made me so happy.  and now i'm equally happy that it's done.

and in case you're interested, here's the text of the piece:

she does not see far.  the wind twists itself around and about her limbs, sends her hair into a fury, but she doesn't see far./she doesn't hear long.  the sounds of rays that creep within the cracks of her skin make no impression on her eardrums./she tries to follow the feel.  she touches the ends of things, gropes for a hanging-on of connection.  the mouth she has./she lets it all in, and washes it all out.  welcomes it in, and stands helpless as it all passes through.

reference

second installation project - i decided to blasphemously tear pages out of an old 1965 dictionary and infuse them with my own writing.  over the course of a week and a half, i painstakingly (and yes, at times, those late nights, hitting f3 and then shift+f over and over again was indeed painful) searched through roughly twenty documents of my own writing that i've produced since last fall for whatever recognizable words i found on each page.  once found within a piece of my writing, i'd hand-write the sentence that word was used in over its original definition.  thereby claiming its definition as my own.

some of the pages went faster than others.  some strangely had no words that i could use, and so in those cases, i made up definitions for certain words.  or i would find interesting connections between the words that just so happened to be situated near each other.  or i experimented with hand-lettering of certain letters, words, images, etc.

the wallpapering itself took no time, but the entire project, layered together and spread out over the expanse of a wall in my studio, sparked such an interesting conversation about authorship, overload of information, hierarchy of text, positive vs negative space, and so many other things.  i truly enjoyed putting this together, and if given the opportunity, would absolutely cover an entire room like this.  i mean, why not?  now i know how to make my own glue.

sonnets upon sonnets

 

almost everyone has some sort of relationship with shakespeare. whether it be that awkward memory of having to memorize shylock's speech in freshman english, or finding that one line in that one sonnet that just so happens to speak to whatever is going on in your life, there's no doubt that for most of us, ole billy has struck some sort of chord.

for my first project in my art installation class, i decided to play around with accumulation and dismantling - in this case, the accumulation of text and chalk, the dismantling of shakespeare's sonnets as well as the concept of what it means to be a book, a collection.

it's incredibly interesting to see what happens when you start to layer words and sentences on top of each other. the negative space becomes positive, the blackboard starts to resemble a white notebook page, and the sonnets themselves become almost completely illegible (although that could also have something to do with the nature of my handwriting). i had such fun putting this together, and i definitely foresee more chalkboard art in my future.

what's your favorite sonnet? i'll always be partial to 116.

mmmm september

copyright jillian schiavi 2009 it's been a bit of a long hiatus, and a bit of a whirlwind end-of-summer for me.  from trips home to massachusetts, to a gorgeous and adventurous week in san francisco for the outside lands music festival, to visiting philadelphia and celebrating the start of 'fall' with friends and cocktails, i feel like august existed as part of a month-long dream, from which i just woke up, and it's suddenly the middle of september.

copyright jillian schiavi 2009

i absolutely love this time of year.  when i was younger (who am i kidding, if i had reason to do it now, i would), i used to go crazy for school supplies.  color coordinated binders, folders, notebooks (3-subject, college-ruled, 5 star), mechanical pencils, black (never blue) ink pens, the list goes on.  there's something refreshing, settling and exciting all at the same time about starting a new school year, and i've recently felt myself missing that sensation.  maybe i should have taken my father's teasing about becoming a teacher more seriously... really though, i think this itch means that it's about time i went back to graduate school.

copyright jillian schiavi 2009

copyright jillian schiavi 2009

i've always felt that if i was going to invest more time (and more time spent paying back more loans) into another degree, it would be for something i'm really passionate about.  something that i may not have looked at as a 'serious' point of study, perhaps because it's not regarded as particularly practical or career-oriented.  something that i've always loved to do, that i keep coming back to subconsiously; something that i've continually tried to integrate into various areas of my life.  now, there are 3 things that fit that description: performance (acting), writing and illustration.  if i could find a way to include all three into my graduate studies (and post-graduate career path), i would be ecstatic.  if it was possible to include two of the three, i would be thrilled.  if i could only focus on one, i would be immensely happy. 

copyright jillian schiavi 2009

whatever i'm able to find (and this is if i even get accepted to program), i know that fine art and illustration will be the main emphasis.  i'm still putting my portfolio together, and these are a few pieces that i'll be including for admission.  any feedback or suggestions would be more than welcome, and thank you for coming along with me on this (slightly trepidatious) journey!

copyright jillian schiavi 2009